Max Igan - Surviving the Matrix - Episode 356 - American Voice Radio, November 23rd, 2018 - http://thecrowhouse.com
Mud Flood - A Beginners Guide:
Post-Apocalyptic Moscow 18th and 19th centuries (Евгений Макаров) Translation
Foundlings and the Orphan Train:
Ancient Swastikas in the West:
PLAYLIST ON MUD FLOOD
History of alternative energy. Fireplace.
Russian Blog on Fireplaces/Free Energy Buildings:
The object of today's conversation will be the fireplace. Read his definition in Wikipedia, this is something in the style of M. Zadornov (health to him). A distinctive feature of the fireplace is always that it is not designed for heating and subsequent heat transfer from the material of the walls. It gives the main heat due to infrared radiation from the flame, and convection (according to Wikipedia) has nothing to do with it. Those who have ever had a fireplace (I had), know that from the convection there are some problems - the smoke begins to go out, polluting the air and the fireplace itself. And it does not depend on the quality of engineering calculations of the fireplace master, or on the quality of firewood. And the fireplace heats only when firewood burns in it, and they burn out pretty quickly. With a large room, in order to warm it up, one must sit near the fireplace for several hours. Now imagine the 19th century somewhere in Holland, where the frosts are strong enough and the rooms are large. It is clear that in such conditions you can freeze out and the fireplace is not needed here at all, but you need a Dutch stove. But nevertheless there are fireplaces there too. Who is simpler, remakes them like this:
And why did they even do them if they initially could not cope with their tasks? Well, obviously not for beauty. The climate may have been milder in northern latitudes, but there is a chimney nevertheless in the fireplace. Experts will confirm that in a warm climate because of the reverse thrust, it is even more difficult to heat the fireplace. So what's the catch? Let's figure it out.
So, the fireplace. The older it is, the more like a canopy over a fire, which is bred directly on the floor. In addition, the height of the firebox on the fireplaces of the old design is higher than human growth.
Probably, the artist as a child did not burn fires in a pioneer camp. In this case, even with a good bout, half the smoke will go into the room. There are even engravings where people sit in a luxurious palace and heat a fireplace, and smoke comes from it. The feeling that these people are savages who fell into an abandoned palace, and did not find a worthy appointment for the fireplace, except how to burn wood in it (by the way, many historians claim that modern people came to ancient palaces like savages, at 18 century). In all the old engravings, fireplaces are depicted with the largest possible size of the firebox. That they were originally. Naturally, in this form, they were fueled badly, and people worked on them in order to somehow improve the cravings.
Look at the material and the quality of the fireplace itself and the white tiles, which reduced the size of the furnace. The fact is obvious - the owners of the house got the fireplace ready, and it was finalized. Stop. And what kind of objects are near the fireplace? For beauty, or just accidentally hit the frame? As you can see, at different times and in different countries, all fireplaces have one thing in common - the presence of a metal sheet on the back wall of the furnace (or the execution of the entire furnace as a metal caisson on its side) and the presence of metal cups near the fireplace, which were previously considered here
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